We are very happy to be back with the 18th issue of KunstMusik. It took us a
while to produce this new number, but, as you know: haste makes waste. Since
we changed our modus operandi from having a regular editor-in-chief to asking
a different guest curator to supervise each issue, our workload and
responsibility for finding the right one have increased.
We asked the curator of the last two issues (No. 16 & No. 17 – about
intonation), the Canadian-German composer Marc Sabat, to recommend his own
successor to us, and Marc suggested Lucie Vítková. She is a composer,
improviser and performer from the Czech Republic, living in New York – we were
really excited about this choice.
And here we are with issue No. 18, curated by Lucie Vítková. This edition does
not discuss a specific musicological subject, but, rather, gives some
genuinely stimulating insights into some of the most current developments in
New York’s experimental music scene. In this issue of KunstMusik, we have
women, transgender and femme authors of various backgrounds. Their perspective
is refreshing, incisive and exciting. We hope you are as thrilled as we are!
Maria de Alvear & Udo Moll
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Maria de Alvear